Skip to main content

Leaves underfoot and overhead: my New England fall

I drink it all in greedily. The greens, the browns, the golds, the reds, and all those indescribable shades in between and beyond. And the blue, blue sky overhead. The nip in the air only serves to accentuate the sharpness of the colors, and adds a quickness to my step as I crunch across the leaf-strewn pathway of the arboretum.

Arboretum: a place where trees and plants are grown to be studied or seen by the public (Merriam-Webster dictionary, online)

I would amend that definition to include: a place that offers a sanctuary from the chaos and confusion and the intense pressure to achieve order that marks urban life.

Of course, temples and spas also offer that. But you know what I mean. Chants and bells and low-key piped music and strange aromas do not quite match the abundance of the woods. Even if it is a cultivated copse (not a typo, the r has no place in this wood/word).

I took a few hours off on what promised to be the last perfect day of the New England fall to find my way to the Arnold Arboretum, on the southern edge of the city. The crowds thin out between the T-stop and the almost-industrial looking pathway and suddenly,  a pair of wrought iron gates mark your entry to this 480-acre parkland.

I walked. I felt the softness of the pines and the rough edges of the white and red oaks. I discovered the beauty of the leaves of the hemlock (something I'd always associated with witches and their potions) and the perfection of the Japanese maple.

I breathed. I allowed myself to be interrupted by scurrying squirrels and calling birds, falling acorns and skittering leaves. I felt the thought emptying itself of words.

As for the rest, it's in the pictures.

In the soft shade of the conifers.

The ones that stay steadfastly green.

The weeping larch still manages to cheer

When you look down, there is promise to be found

Still, the sun shines through



He stares curiously--or maybe just wearily--at me

The branches seem free, and light, somehow

Gold, gold, gold!

Shades I have no names for

The last cool flames of autumn



The five-pointed leaves of the sweet gum, also known as Witch Hazel

The dark magic of old tree bark

Oh that Japanese maple!

I am many colors at once.

There's music in them shadows

Need I say more?

Time for reflection. 

And if you've stayed with me this far, here are some more pictures from a walk along the Charles River, lined by oaks and elms and maples and the occasional linden. The grey-blue of the water and the iridescence of the sky.





Comments

Popular posts from this blog

A house called Ayodhya

How do words get taken away from you? How do they mutate and reconfigure around entirely new meanings, only weakly related to those that they held when you owned them? And then, through repetition and constant association, they solidify into these new forms, their other histories hidden behind impenetrable layers, where they have not been erased altogether.   I live in a house whose name often elicits a curious look, raised eyebrow, a muffled cough, a judging eye, or even a vigorous nod of approval. But for even the least politically minded, the name is evocative of something. For some of us, it is the wave of negativity, divisiveness, and violence unleashed by the events of a December three decades ago. For others, it may represent the righteous assertion of identity.   But the name etched into the gate pillar, now fading and diminished when compared to the glitzy lettering on neighbouring walls, has nothing to do with the politics of place and claimed heritage. It is a simpl...

Remembering Ja

Ja (right) with Maxine, at the Alternative Network meeting, 2004 I opened the newspaper this morning and way down at the bottom of page five was a small insert in remembrance of an old friend and sometime mentor, Janaki Iyer, known simply as "Ja" to many of us.  I myself took a decade or more to make the transition from "Mrs Iyer" to "Janaki" to a very hesitant "Ja"--the diminutive seemed not to do justice to a woman who in a very gentle and quiet way had touched so many people, young, old, and like myself, somewhere in between. First, the specifics. Janaki was a teacher from start to finish. After many years of teaching in an upscale Bombay school, she moved to Hyderabad and, with an enthusiastic friend, started Ananda Bharati, a learning space for children of migrant labourers, in a small room in the YMCA, Tarnaka. Many of those children went on to join the mainstream school system and complete their secondary education; a few even obtai...

Talking about Talk: a conversation with Sherry Turkle

Credit: CNN Image s The Tang Building sits on the southern edge of the MIT campus, overlooking the river whose grey this autumn afternoon acts as a foil to the gold and auburn of the trees across its wide span. I rush up the stairs to the second floor—I am a minute past the appointed hour—and arrive, just a little out of breath, on the second floor. The corridor is dark and the roomy lobby leading to the room that bears the number I’ve been given is even darker. I check my phone again to make sure I have it right and then venture inside, flipping the light switch and finding a spot on a comfortable sofa. One never feels quite prepared for an interview. Especially when it involves someone who has already been in the media eye over the years, whose engaging commentaries on life in the digital age have found their way to the TED stage and from there into millions of YouTube and Facebook shares, whose books straddle the academic and popular; someone who could be the Nora Ephron ...