What are words worth?

When you visit a place that has occupied your imagination in different ways, your experience is continually overlaid by the made-up pictures that you hold in your head, and you can't get away from a feeling of second sight. Shyam Selvadurai's Cinnamon Garden introduced me to Colombo through an evocative and heart-breaking story, its events and people set in a lovingly described landscape that took me through the streets of the city and the roads of the countryside in ways my physical travels will perhaps never surpass. So my all-too-brief visit to this city was spent looking around the corner for places I had already been to in the novel. Other stories of course have also contributed to my imagined geography in less pleasant ways: news reports of the 26 years of conflict, the Channel 4 documentary that gave the term Killing Fields a different temporal and spatial setting, the UNHRC petition against Sri Lanka, Rajiv Gandhi's assassination and so much else. And then of c...

There's a half read book in the seat pocket in my car: Andra Levy's "Long Song". There's a volume by Tehmina Aman gathering dust next to the bed. And there's a third, dust-jacket-covered, few-times-opened copy of Philip Dick's "Do Androids Dream of Electric Sheep?" on my desk. All this quite apart from the many bought-and-waiting-to-be-read books on the shelves, pushed further back each time I go to the bookstore and emerge defeated, two more under my arm. I'm sure many of us have experienced this space between stories, the hiatus between books. You finish one, are overwhelmed by the craft of the writer and the sweep of the story, and wallow in the imagination of a brilliant writer, wondering if it will be surpassed, and knowing full well it will. There are many others awaiting your attention but you feel reluctant to break this spell, to enter into yet another world that has been painstakingly built for your occupation. Weeks go by and you...